Where do you look for inspiration? I don’t typically look for things but just start writing and then they present themselves fully dressed demanding an audience and a suitable story to go with it.
What’s your favorite movie – Dune; cocktail – Gin Martini, stirred, not dry, not dirty, straight up, olives on the side.
What play or production changed your life? The first play I ever wrote solidified for me that I was meant to be a writer. It was a one act called The Amusement Bomber and was made into a short with Metro Screen Productions. The writing was an instruction in thought development and the piece turned out to be very synchronistic in ways that I couldn’t explain beyond to accept that by writing I was beyond the limitations of myself. That sounds more vague and esoteric than I wish it sounded, but it’s the truth.
Is there anything you still dream of doing? Lot’s of things! I want to have a major Broadway Production of one of my plays that features a female protagonist in the science fiction genre, explores poetic realism as a style, and uses Transmedia. I would also like to have a family with a partner who engages me on all levels, especially the intimate ones. I would like to promote and assist in establishing government policy that develops the Arts in the United States and to earn a very comfortable living via my creative writing.
I feel most like myself when I … am around someone who gets me or when I’m writing.
What is your best escape? It’s pretty rare for me in my life right now, but I think making love is the best escape ever because it’s not a solitary escape it’s a co-created reality that’s good for one’s soul, body and mind.
What’s the one thing nobody knows about you? I was going to say that my answer to the last question might be a good one, but I don’t know if I can answer because I don’t believe I can truly be certain of what someone else doesn’t know.
Cecilia Copeland. Playwright and Artistic Director, NYMadness. Recipient of the Lennis J. Holm Scholarship at the Writers Workshop, Finalist for Mabou Mines Residency, and Semifinalist for The O’Neill Playwright’s Conference. Her work has been produced by Metro Screen Australia, Culture Project, IATI, The Disreputables and workshopped at TerraNOVA and New Dramatists.