I’m in love with performances. When I saw an experimental play on Hamlet in a festival in Sweden 1996 performed by one Canadian actor for all rules and with only some cubes as the set, I fell in love with extra-ordinary performances. Also when I attended a performance from Swaziland performed in Egypt 1999 about the Odessa performed by only two actors for the multiple characters in the epic, I felt the power of the Actor. And whenever I see the powerful popular or folkloric performances in Egypt I dream of using my body as an instrument to be the storyteller, the dancer, the musician and the dramatist. My ultimate feeling is when I tell a story to audiences to be the master of my own body and sound. My lovely escape is belly-dancing when I dance I read the words with my body I feel great and love being a woman. I believe in what Grotowski said “the important thing is not the words but what we do with these words…”. I dream of making a theatre experience in Egypt- as we are a body-languaged people- to release our bodies from borders and tell what we really want to tell about ourselves.
Asmaa Yehia Eltaher is an Egyptian Visiting Scholar at the Martin E. Segal Theatre Center/CUNY Graduate Center, and working on her Ph.D. thesis on African theatre. Assistant lecturer in Theatre at Egypt’s Helwan University. BAs insociology & drama and criticism, and MA in drama and criticism. Also an accomplished actor in Egyptian television, film, and theatre.